15th century Oakham, in Somerset; a tiny village cut off by a big river with no bridge. When a man is swept away by the river in the early hours of Shrove Saturday, an explanation has to be found: accident, suicide or murder? The village priest, John Reve, is privy to many secrets in his role as confessor. But will he be able to unravel what happened to the victim, Thomas Newman, the wealthiest, most capable and industrious man in the village? And what will happen if he can’t? Moving back in time towards the moment of Thomas Newman’s death, the story is related by Reve – an extraordinary creation, a patient shepherd to his wayward flock, and a man with secrets of his own to keep. Through his eyes, and his indelible voice, Harvey creates a medieval world entirely tangible in its immediacy. [Description from Waterstones]
I was really looking forward to reading this book when it was chosen as our Book Club read for March 2019, but I was disappointed in it, which I hate saying, but it’s true. It sounded right up my street – a Tudor-set murder mystery.
What disappointed me most was the characterisation. I really wanted to like John Reve and Herry Carter, but I couldn’t seem to feel anything for them, or any of the other characters. However, some members of the book group loved it (though they were in the minority). One friend commented that she listened to the story on audiobook and really enjoyed it, partly because of the narrator, so I don’t know if it would be better if someone else was reading it; if that made it easier to get into.
I also got quite annoyed by the way the story was told. The story happens over four days, but it is told backwards, from the fourth day back to the first, which can get confusing, and actually stopped me getting as involved as the story as I like to do with a good book, because I was constantly having to re-focus when I reached a new day. The ending was also a bit of a let–down because it just stopped, rather than having an epilogue, which I felt would have been a boon to tie back into the beginning of the novel, which is the end of the mystery (if that makes sense!).
I think the story itself had potential, but that potential wasn’t reached, possibly because of the characterisation, or the way in which the story was told back to front. It felt forced at times, as though the author didn’t really know what to fill the gaps with. I was interested in the portrayal of religion throughout the novel, as I think a lot of books with a focus on religion or placed during the Reformation when Henry VIII uprooted the church, so it was interesting to get such an in-depth look at religion before these changes took place, as I think that is less explored.
I wouldn’t recommend this if you’re looking for something light, but it is interesting for a more in-depth read, especially if you have an interest in Catholicism in England before the Reformation, as it is quite heavy on religion in a lot of places.
This will also be published on my sister blog https://bookbloggerish.wordpress.com/