I think what really attracted me to this book is that it’s based on a real historical mystery, not something completely made up and inserted into the historical context. The Prebendaries Plot was real, and Holbein did die at the time the story is set. But combining the two is really clever, especially given that we don’t know exactly how Holbein died.
It’s a gripping mystery with so many different strands that all come together. There are plenty of twists, turns, and red herrings to contend with which keep you gripped to the end, until the mystery is resolved. The cover says that you’ll love this series if you love the Shardlake books, but I do think the Shardlake books are actually slightly better because Shardlake is a more interesting character I’ve found. But that doesn’t deduct from the genius of this mystery.
The 4 stars rather than 5 was because the writing in parts felt clunky and didn’t flow as well as it could have, but the engaging mystery rescued it. Perhaps it felt clunky because there was a lot of, obviously well-researched, information about the religious discord in England at this time and how it was affecting people, but it didn’t really add to the story. I didn’t feel that the amount of information given was entirely necessary to the story.
What was interesting to me was the potential insight into Thomas Cranmer, Archbishop of Canterbury, as a person. I haven’t really read much about him as a person, though he obviously comes up as part of my research into Tudor England, so it was intriguing to think of him as a person thrust into one of the highest positions in England but not very good at the political machinations and having to rely on others to assist him.
It’s good that, at the end of the book, there is an explanation from the author of what is actually history and what is fiction, it helps to keep it clear for those looking to research further. I wish more authors would do this when writing fiction as otherwise lines become blurred.
This is the story of the Nine Day’s Queen, Lady Jane Grey, and her sisters, Katherine, and Mary. They all encountered the wrath of queens themselves and this is a fictional retelling of how they all dealt with that and how the legacy of the Nine Day’s Queen influenced her sisters.
I think I was expecting more from this book as I so enjoyed ‘The Virgin Queen’s Daughter’. Perhaps I enjoyed that one more because it was based on an idea that there is no historical evidence for, rather than following the historical timeline.
This book, according to the title, you would expect to focus on Lady Jane Grey, but she dies about halfway through, so it is actually the story of the three Grey sisters and how Jane’s legacy affects her surviving sisters, Katherine, and Mary. The basic storyline is historical fact but there are several instances where this deviates. Some are covered in the afterword by the author, but some not, so don’t take this as being historically accurate in all cases.
As to the writing, it is engaging to read, but I did feel that it was lacking in some storyline respects especially in the second half of the book. Katherine and Mary Grey are two very intriguing characters that not enough is really written about, so it would have been nice, as their stories after Jane’s death were covered, to get a little more. It almost felt as though the writer wanted to cover their stories but didn’t have the same knowledge as for Jane’s story. The second half felt lacking somehow as a result.
Not the best fictional rendition of the story of Lady Jane Grey and the Grey sisters – I much preferred ‘The Lady of Misrule’ by Suzannah Dunn and I am looking forward to reading ‘Sisters of Treason’ by Elizabeth Fremantle.
I really enjoyed this book. I started listening to it on audiobook, but I wasn’t very into it. When I started reading the physical book, however, I really got into it and there were places where I really didn’t want to put it down.
I loved Fleetwood Shuttleworth as a character, and Alice Grey, but I couldn’t really seem to connect with the others. Richard Shuttleworth, Fleetwood’s husband, I thought was a wet blanket at first, but we started to see his backbone and it was interesting following his development as a character, and the change in his relationship with Fleetwood as well. Roger Nowell I think was the villain that you really didn’t like – he was completely manipulative and determined to get his own way and rise in the world, no matter the consequences. In a way he was quite a sad character.
The story of Fleetwood’s pregnancy is haunting, having lost so many babies before they were born, and believing that she wouldn’t live to see this one grow up either. That’s the overarching theme of the book – the struggle of women in childbed and in doing things of their own free will without the guiding hand of their husband. It was a dark time for women – accusations of witchcraft, the fear of dying in childbed, men taking mistresses and the women having to accept it, being totally at the beck and call of a man. We see Fleetwood battle against all of these things to find her place in the world and help a friend in dire need.
I wanted to see more of the Pendle witches and the trials. I felt that, for a book set in this fascinating area and based around accusations of witchcraft, that felt a little lacking in places. There were bits and pieces about the accusations and the women who were being accused but it was largely second-hand rumour and gossip. I wanted to see more from the first-hand accounts of the women involved. That’s what let it down for me, story-wise.
I really enjoy Stacey Halls’s writing, having read ‘The Foundling’ before, and I’m really glad I finally gave in and read this one! I’ll look forward to reading Halls’s new book ‘Mrs England’ in the future.
Not a Tudor book review, but an excellent historical fiction novel. My review of ‘The Tattooist of Auschwitz’ is to follow.
Another excellent book from Heather Morris. This is a sequel to ‘The Tattooist of Auschwitz’ but also stands apart from it. It follows the story of Cilka Klein, who was introduced in ‘The Tattooist of Auschwitz’ but here we see what happened to her once she left the concentration camp of Auschwitz-Birkenau. It’s a haunting story, but, like Tattooist, filled with hope and love.
I think I enjoyed Tattooist ever-so-slightly more, but I can’t quite put my finger on why. Although this is based on a true story, I think the veracity of it didn’t quite ring through in the same way as Tattooist, possibly because Morris couldn’t actually interview Cilka as she did with Lale. That’s not to detract from Morris’s writing, but I just didn’t get the same sense of voice as I did with Tattooist.
Nevertheless it was really well-written, and I couldn’t put it down once I started. I listened to the audiobook while I was working, and it really made the day go by quickly. There were several sections where I had to stop working for a minute and just listen, and other sections where I had to press pause and take a moment.
It might seem strange to read something so dark, dealing with such difficult topics in a time of pandemic (writing this in the COVID-19 pandemic lockdown in the UK), but it also gave hope and a light at the end of the tunnel feeling, that if Cilka could get through everything she went through, we can endure a lockdown, and cope with the uncertainty and change and come out of the other side.
I hope Morris keeps researching and writing because I would love to read more from her – she has a way of writing that brings true stories to life in a fictional guise. It is beautiful but also achingly haunting.
Also published on my sister blog bookbloggerish.wordpress.com.