Book Review – ‘Gloriana: Elizabeth I and the Art of Queenship’ by Linda Collins & Siobhan Clarke


Thank you to The History Press for a copy of this book to review.

This book is the first one I’ve read of this type, looking at the Elizabethan age through portraiture, including the more famous Coronation, Rainbow, and Armada portraits, and the lesser-known Pelican and miniature portraits. Also includes portraits of people of the Elizabethan age like Walter Raleigh, William Shakespeare, and Robert Dudley.

It is divided into digestible sections covering different parts of Elizabeth’s life and reign, in largely chronological order, though with dives in and out of the lives of Elizabeth’s courtiers and favourites. There are lots of implications raised about the portraits, and what little things you might overlook could mean, whether it’s a gift from a courtier trying to curry favour through jewels, or the symbolism of a flower, hourglass, or animal that appears.

It’s not a biography of Elizabeth I but an art history, looking at the life and reign of Elizabeth through the portraiture. It clearly links the portraits to different parts of her life and reign, giving the context of how the portraits link to different periods of her life, and how the imagery changes over her life.

A must-have for any fans or academics of the Elizabethan era because it looks at the age from a new perspective and can offer plenty of insights into self-fashioning, image, and power. It was utterly fascinating and so well-researched.

Chapters:

  1. Elizabeth I and the English Renaissance
  2. Family and Survival: The Early Years
  3. ‘God Hath Raised Me High’: Accession and Religion
  4. ‘One Mistress and No Master’: Marriage Game
  5. Nicholas Hillard: The Queen’s Painter
  6. Secrets and Codes: Mary, Queen of Scots
  7. Elizabethan Arts: The Golden Age
  8. Gold and Glory: Exploration and Armada
  9. Dress, Dazzle and Display: Mask of Youth
  10. Final Years: Death and Legacy

Documentary Notes – ‘Henry VIII: Patron or Plunderer’ Part 2


Henry VIII c.1542.
Henry VIII c.1542.

String of failed marriages and a religious revolution

Imagery and reputation

1533 Henry VIII anxious about the Tudor dynasty – no son to succeed him so ditched key advisors, split from Rome, divorced his wife and married Anne Boleyn

Powerful and controlling monarch, successful dynasty

Tapestry, art and palaces designed but plundered religious houses

New image had to be forged quickly as his future depended on it

Wrath of the pope and catholic European nations and English people – Rome refused to sanction divorce so Henry left it behind

Supreme Head of the Church of England

Henry vulnerable so built sea forts and the basis of the royal navy

Army of painters, builders and designers through palaces and paintings

Henry VIII interested in art by story – everything he commissioned told the story of his own self importance

Learn things about Henry from the art he commissioned Continue reading “Documentary Notes – ‘Henry VIII: Patron or Plunderer’ Part 2”

Documentary Notes – ‘Henry VIII: Patron or Plunderer’ Part 1


Henry VIII c.1520.
Henry VIII c.1520.

Jonathan Foyle.

April 1509 Henry VIII takes refuge in the Tower of London.

Public image – kills Empson and Dudley.

Coronation = cloth of gold, jewels on horseback, Hall’s Chronicle, Thomas More – lawyer commissioned to make a speech, “golden age”.

Humanism influenced More and Henry, also chivalry – Erasmus,

Eltham Palace – Henry was raised away from the centre of London.

Glenn Richardson.

John Skelton taught him Latin, French, etc. Influenced by Margaret Beaufort and William Blount Lord Mountjoy.

New learning – grammar, rhetoric, morals, history. History of his own ancestors.

1503 Prince Henry was betrothed to Katherine of Aragon.

Strength of the Tudor family – influence, wealth, power. Demonstrated by buildings like King’s College Chapel.

Propaganda. Continue reading “Documentary Notes – ‘Henry VIII: Patron or Plunderer’ Part 1”

%d bloggers like this: