‘Talking Tudors’ is a podcast by Natalie Grueninger, author of ‘Discovering Tudor London’ and co-author of ‘In the Footsteps of Anne Boleyn’ and ‘In the Footsteps of the Six Wives of Henry VIII’ with Sarah Morris. Along with Kathryn Holeman Natalie has also released two Tudor colouring books – ‘Colouring Tudor History’ and ‘Colouring Tudor History: Queens and Consorts’.
Natalie interviews guests about their particular interests and the Tudors in general. Each episode ends with “10 To Go” and a “Tudor Takeaway”, and at the beginning often starts with a piece of Tudor-inspired music.
The first 21 episodes guests and topics are listed below (everything live up to this date 8th February 2019).
What does Holbein’s portrait capture about Thomas Cromwell’s character that even Cromwell, himself, recognises? What kind of man is Cromwell? In the rapacious world of Wolf Hall, do you find him a sympathetic character, or not?
I think that Cromwell becomes more ambitious when he gets a taste of power. I think he likes to thwart those in power with his knowledge, like when Wolsey is demanded to give up the great seal. I think that Cromwell doesn’t come across as more sympathetic in ‘Wolf Hall’ than in other books featuring him, as we see the deaths of his wife and daughters, and the fall of his mentor in his own eyes, rather than the eyes of Henry VIII or Anne Boleyn. I think he is a very caring person with a ruthless streak in his religious beliefs. I think Holbein’s portrait captures Cromwell’s essence in not flaunting his rising position, but still showing his power with the books and papers around him. It’s very clever that it’s not explicit, but it still shows the reined-in power.
What effect did Cromwell’s upbringing have on his character and his later views about the privileged society that permeates the court? How does he feel about the aristocracy and its insistence on ancient rights?
I think that Cromwell’s relationship with his father affects a lot of his thoughts and actions now he is an adult. He seems to be very fixed on not ending up like his father, and having a better relationship with his children than his father had with him. He wasn’t brought up to a privileged way of life, so he can see more clearly than those at court the importance of promoting people for their abilities rather than their wealth and titles. He believes that, in the future, self-made men will have an important role in running the country, more so than the old nobility who represent the medieval period that has now been left behind – men like him represent the future. Continue reading “Discussion Questions – ‘Wolf Hall’ by Hilary Mantel”
Throughout the book, Alison Weir shows how Katherine was raised to confirm to contemporary cultural and religious norms, and how this influenced her thinking and her actions. What impression did this make on you, and did it aid your understanding of her dilemmas and conflicts? Did this take on her story allow you to empathise more closely with Katherine’s choices?
I think that the standards and norms of 16th century England were very different to today. People believed very strongly in God and in the existence of heaven and hell and purgatory. They saw their lives on earth as a prelude to the afterlife. I think my background in history really helps me to understand the cultural and religious norms of the 16th century. I think that the understanding of the dilemmas and conflicts that Katherine faces in the novel depend on the contemporary culture and standards. You can’t understand Katherine’s motivations and feelings without understanding the context of the 16th century. I think that the emphasis on her religious devotions and the wellbeing of her soul were the central considerations for Katherine and understanding this made me understand more about what drove her to make the choices she did – she wasn’t being stubborn on purpose, she really believed she was saving her soul, and that of her husband. Continue reading “Discussion Questions – “Katherine of Aragon: the True Queen” by Alison Weir”
H.M. Castor ‘VIII’ (Dorking: Templar Publishing, 2011) Paperback, ISBN 978-1-8487-74995
Genre/s: Historical Drama
Setting: Tower of London, Hampton Court and Richmond (London, England)
Characters: Henry VIII / Prince Arthur / Henry VII / Elizabeth of York / Katherine of Aragon / Cardinal Thomas Wolsey / Anne Boleyn / Jane Seymour / Mary I / Archbishop Thomas Cranmer / Thomas More / Elizabeth I / Katherine Parr / Katherine Howard / Edward VI / Anne of Cleves / Thomas Cromwell
Storyline: From Henry VIII’s childhood until his death in 1547. The novel covers Henry’s imagined childhood in some detail, looking at the death of his mother and brother, his accession to the throne, his quest to beget a son to succeed him and the relationships with his wives. There is also a spectre in the background haunting him. Continue reading “Book Review – ‘VIII’ by H.M. Castor”
Charles Brandon and his ward – Charles Brandon married his ward, Katherine Brooke, but in reality she was Katherine Willoughby. On TV, Charles married Katherine in 1532, but in reality they didn’t marry until after Anne Boleyn’s coronation, in 1534.
Assassination attempt – According to the TV show, Pope Paul III organised an assassination attempt against Anne Boleyn before her coronation. In reality he wasn’t even elected until after her coronation, and there is no evidence for an assassination attempt.