Death: 11 October 1542 at Clifton Maybank House, Dorset, England
Buried: Sherborne Abbey, Dorset, England
Spouse: Elizabeth Brooke 1503-1560
Children: Thomas Wyatt the Younger 1521-1554
Parents: Sir Henry Wyatt 1460-1537 & Anne Skinner ?-?
Siblings: Henry Wyatt ?-? / Margaret Lee c.1506-1543
Noble Connections: Wyatt supposedly had a relationship with Henry VIII’s second wife, Anne Boleyn. Wyatt was arrested along with George Boleyn, Henry Norris, William Brereton, Francis Weston and Mark Smeaton, accused of adultery with Anne but eventually released. Wyatt’s son, also called Thomas Wyatt, led a rebellion against Mary I in 1554 to restore Jane Grey to the throne or put Princess Elizabeth on the throne.
Title/s: Viscount Beauchamp of Hache / Earl of Hertford / Duke of Somerset / Lord Protector of England
Birth / Death: c. 1500 – 22 January 1552 (executed by beheading)
Spouse: Catherine Filliol (m.c.1527) / Anne Stanhope (m.1535)
Children: John Seymour 1527-1552 / Edward Seymour 1529-1593 (by Catherine Filliol) / Edward Seymour Viscount Beauchamp of Hache 1537-1539 / Edward Seymour Earl of Hertford 1539-1621 / Anne Dudley Countess of Warwick 1538-1588 / Henry Seymour 1540-? / Margaret Seymour 1540-? / Jane Seymour 1541-1561 / Catherine Seymour ?-? / Edward Seymour 1548-1574 / Mary Rogers (1552-?) / Elizabeth Seymour 1552-1602 (by Anne Stanhope)
Parents: Sir John Seymour (c.1474-1536) & Margery Wentworth (c.1478-1550)
Siblings: John Seymour ?-1510 / Henry Seymour 1503-1578 / Thomas Baron Seymour c.1508-1549 / John Seymour ?-? / Anthony Seymour ?-1528 / Jane Seymour Queen of England c.1509-1537 / Margery Seymour ?-1528 / Elizabeth Cromwell c.1518-1568 / Dorothy Leventhorpe c.1519-?
‘Talking Tudors’ is a podcast by Natalie Grueninger, author of ‘Discovering Tudor London’ and co-author of ‘In the Footsteps of Anne Boleyn’ and ‘In the Footsteps of the Six Wives of Henry VIII’ with Sarah Morris. Along with Kathryn Holeman Natalie has also released two Tudor colouring books – ‘Colouring Tudor History’ and ‘Colouring Tudor History: Queens and Consorts’.
Natalie interviews guests about their particular interests and the Tudors in general. Each episode ends with “10 To Go” and a “Tudor Takeaway”, and at the beginning often starts with a piece of Tudor-inspired music.
The first 21 episodes guests and topics are listed below (everything live up to this date 8th February 2019).
The King’s Curse pans over forty years of Lady Margaret Pole’s presence in and around the Tudor court, as she and her family rise and fall from favour with Henry VII and then Henry VIII. How do Lady Margaret, her characteristics, and her goals change over the course of her life at and away from court?
Margaret at first is ambitious for herself and her brother, and then her sons, but she comes to realise that what is more important is that they survive.
Margaret’s goals change as the people she cares about die generally – her first goal was to help her brother, Edward Earl of Warwick, then Elizabeth of York, and then her husband and sons.
As Margaret becomes more experienced she begins to understand the politics of power and how her family came to fall from power, and grows to accept it to an extent.
The turning point in Margaret’s thinking comes with the execution of the Duke of Buckingham in 1521, because Margaret thought him to be invincible in a way.
Discuss the meaning of the title, The King’s Curse. What is the actual curse? How does Henry VIII’s belief that he is cursed affect his behaviour? Do you believe that the curse that Elizabeth of York and her mother spoke against the Tudors comes to fruition?
I think the title refers to the curse that Elizabeth Woodville and Elizabeth of York are said to have enacted against the person who killed the Princes in the Tower.
The curse would affect Henry VIII if his mother, Margaret Beaufort, was the one who killed the Princes, as Gregory suggests in ‘The Red Queen’ as well as here.
I think in a way Henry VIII is determined to outrun the curse so he begins to kill off anyone with a claim to the throne so that the only heir left is his own son.
Eventually the curse does seem to come to fruition as the Tudor line dies out and the crown descends instead through the female line of Henry VIII’s sister, Margaret, and the rulers of Scotland.
Consider how deeply Margaret is affected by the execution of her brother Edward, “Teddy,” the Earl of Warwick. How does this affect her familial loyalty and influence her actions? What does it mean to Margaret to bear the name Plantagenet? What does the White Rose mean to her?
I think that, at first, Margaret didn’t believe that Henry VII would execute her brother who was just a naïve boy – from all accounts he was mentally stunted from his time in the Tower.
When Margaret has children of her own she becomes even more determined that they won’t suffer the way she and her brother did for their Plantagenet blood.
I think at the beginning of the novel Margaret saw the name Plantagenet as marking her out as special and blessed, but towards the end she sees it more as a curse as it pulls apart her family.
Even towards the end Margaret believed that the White Rose was the rightful ruler, but she wasn’t willing to risk as much to bring it about.
As Alison Weir says in her author’s note, Jane Seymour remains an enigma. Yet writing a fictional account of her life, while based on deep research, allows a certain freedom as she chooses how to portray Jane’s choices and actions, and her interactions with other historical figures. Do you agree with the Jane Seymour that Alison has created, and did you find her different from the character shown in other fictional interpretations? Do you like her?
I quite like the Jane Seymour that Weir has created as it is a very different portrayal from the usually meek and mild Jane that we see in general.
I don’t think that Jane could have been as meek and mild as she is usually portrayed as it would have required some strength to marry a man who had his previous wife executed.
I do quite like Weir’s Jane – I generally find other fictional interpretations quite boring and bland, so this one was a pleasant change, and it seemed to work for me as well which I wasn’t expecting.
I thought Jane showed a strength of character, but was also the kind and gentle person that history accepts Jane was, without making her dull and boring, it’s very clever.
The Haunted Queen opens on a wedding celebration as two prosperous families unite. How is this need for advantageous alliance echoed throughout the novel? As a child, Jane feels safe and content with her loving family and apparently happily matched parents. Do you think this is what Jane strives to reproduce when encouraging Henry to reconcile with his elder daughter? How much do you think her father’s betrayal of the Seymour family affects her own choices?
In Tudor England marriages, especially within the nobility and royal families, were largely decided by how advantageous they were in terms of wealth, titles, and connections, so this wasn’t unusual. The Seymour family had connections with many of the great families of England through marriages.
I think that Jane coming from such a large family, and having had a seemingly happy childhood does play a role in her wanting Henry to reconnect with his eldest daughter. However, I think that Jane’s religious beliefs also play a part, as I think she sees Mary as the rightful heir over Elizabeth.
I think that Jane was completely shocked by her father’s actions, especially the fact that his betrayal was with his daughter-in-law. I think Jane and her siblings saw that their family wasn’t as perfect and happy as they had thought, and Jane wanted to recreate that happy feeling she used to have.
Jane’s desire to become a nun shows a calm determination from a young age. When she finds this is not the life she expected, she sets her heart on a place at court. She might seem a malleable character, yet tends nonetheless to achieve her ambitions. How much do you feel other people, including Jane’s own family, underestimate her quiet strength of character, and do you think it gives her satisfaction to surprise them?
Jane is willing to explore her options and test them out – she sets her heart on one thing, finds it isn’t for her and moves the goalposts, which is admirable. She can adapt when she realises something isn’t for her.
I think Jane’s parents in particular underestimate her because they are used to having no trouble from her, unlike her brothers and sisters, so they don’t understand her quiet strength.
I think it does give Jane satisfaction to surprise people because they expect her to be quiet and malleable but she is really a strong character and it gives people a shock when they realise it.
Jane is strong because she can accept that her ambition wasn’t really for her and adjust accordingly – it takes a strong person to admit they’ve made a mistake.
Spouse: Mary Newman ?-1581 / Elizabeth Sydenham 1562-?
Parents: Edmund Drake 1518-1585 & Mary Mylwaye ?-?
Siblings: John c.1552-1573 / Thomas 1556-1606 / Edward c.1550-1568 / Joseph c.1554-1572 / William c.1525-c.1581
Noble Connections: He was awarded a knighthood by Elizabeth I in 1581. Drake’s godfather was Francis Russell, Earl of Bedford. He was made a naval officer by John Hawkins, who was pivotal in the Armada expedition. Continue reading “Spotlight – Francis Drake”
Spouse: Henry V of England 1420-1422 & Owen Tudor?
Children: Henry VI of England 1421-1471 / Edmund Earl of Richmond 1430-1456 / Jasper Duke of Bedford 1431-1495 / Edward ?-? / Owen ?-? / Margaret 1437-1437
Parents: Charles VI of France 1368-1422 & Isabella of Bavaria 1370-1435
Siblings: Charles 1386-1386 / Jeanne 1388-1390 / Isabella Duchess of Orleans 1389-1409 / Jeanne Duchess of Brittany 1391-1433 / Charles 1392-1401 / Marie 1393-1438 / Michelle 1395-1422 / Louis 1397-1415 / John 1398-1417 / Charles VII of France 1403-1461 / Philip 1407-1407 Continue reading “Spotlight – Catherine of Valois”
Event– Marriage of Henry VIII and Katherine of Aragon Year– 1509 Location– Greenwich Palace, England
The wedding of Henry VIII and Katherine of Aragon isn’t as well-known as their very public divorce. Katherine was the widow of Henry’s older brother, Arthur, who had died in 1502. Henry would later allege that this was an impediment from which the Pope couldn’t dispense.
Katherine and Henry had been betrothed for 6 years by the time that they married, and it wasn’t certain that they would marry even after the betrothal. When Katherine’s mother, Isabella of Castile, died Katherine was seen as less valuable on the marriage market as she was no longer the product of a united Spain. Henry VII began to look elsewhere for a bride for his son.
When Henry VII died in 1509 Katherine’s fortunes changed overnight and the marriage negotiations were successfully brought to an end in May 1509. The marriage licence was issued by the Archbishop of Canterbury, William Warham, on 8 June 1509.
The marriage was a private ceremony in the queen’s closet at Greenwich Palace on 11 June 1509 with just a couple of witnesses in attendance. Katherine was aged 23 and Henry just 18 – she was beautiful still and he was in his prime. The marriage wasn’t only a love match (it was rumoured that Henry wanted Katherine when she was married to Arthur), but a political one as well.
As soon as the wedding itself was over, preparations were made for their joint coronation which happened just a couple of weeks later.
Amy Licence, Catherine of Aragon: an Intimate Life of Henry VIII’s True Wife (2016)
Garrett Mattingley, Catherine of Aragon (1960)
David Starkey, Six Wives: the Queens of Henry VIII (2004)
Giles Tremlett, Catherine of Aragon: Henry’s Spanish Queen (2011)
Alison Weir, The Six Wives of Henry VIII (1991)